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Korg USA Incorporated was founded in the early 1960s by nightclub proprietor, Tsutomu Katoh.  Prominent Japanese accordionist, Tadashi Osanai performed at Katoh’s nightclub regularly.  Osanai used a Wurlitzer “Sideman” rhythm machine in his performances and was dissatisfied with its implementation.  Convinced he could develop a better product himself, the engineering graduate of Tokyo University persuaded Katoh to finance his efforts.  Two years later in a small, rented facility adjacent to the Keio railway line, Osanai and four assistants worked on creating a mechanical rhythm machine.  Thus, the Keio Electronic Laboratories was born.  The Disc Rotary Electric Auto Rhythm machine was Keio’s first product.  It was put out on the market in 1963.  “While primitive by today’s standards, the instrument represented a major breakthrough in its day.”  (Korg Corporate History)

            In 1967, engineer Fumio Mieda approached Katoh with the idea to release keyboard products under the Keio Electronic Laboratories name.  Katoh invited Mieda onboard and eighteen months later Mieda returned with an organ prototype.  The product had an edge to it unlike most organs on the market at that time: a programmable voice capability similar to that of a synthesizer.  “Fifty were produced and sold under the Korg name, a name which was derived from the combination of the words Keio and Organ.” 

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In comparison to the plethora of Korg products on the market, the Triton ProX provides some of the best sounds and effects, controller capabilities, and sequencing functions.  It is also considered to have one of the most user-friendly interfaces in the industry. 

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Korg Karma

In 2001, Korg found a new way to define how the synthesizer interacts with its player by tripling the Triton ProX's CPU power and creating a more sophisticated MIDI processor.  This new creation was dubbed the Karma and hit the market with an affordable price tag $750 dollars cheaper than its progenitor, the Triton.